Go much past 60 though, and the flutter sounds more like synth vibrato. Of course, the J37 can also process individual tracks. 0000000935 00000 n 0000000016 00000 n This trio of plug-ins provides all the classic rock n roll warmth youd expect from an Eddie Kramer-influenced collection plus intuitive, analog-esque GUIs. Chronologically, the EMI 888 tape formulation came first. Sorry Eddie. Waves are always having crazy sales so I picked this up for a song. Finally, lets cover the extras. Youre more likely to hear it on an individual track than a mixed one. Get 13 essential tips for mixing with tape plugins here. Waves offers two tape emulation plugins: the J37, modeled after the modified Studer 4-track deck used in Abbey Road Studios (most famously for the Beatles Sgt. More Info & Guide. However, you can switch the glow to Sapphire for more brightness or Opal for more warmth. Discussion: Active. It stretched, self-erased high frequencies the more you played it, required constant maintenance, needed noise reduction (which had its own issues, unless you were slamming it with punk rock), cost a lot, depended on semi-subjective bias and EQ settings, was tough to store, the quality varied and of courserewind and fast forward times. Repro gives the tape sound because youre monitoring off the head. 0000004027 00000 n You often had to re-calibrate both EQ and bias whenever you changed tape or needed to compensate for head wear. The delay section is simpler than the J37, offering delay time up to 500 ms, feedback and a lowpass filter. 0000003827 00000 n Plug-in giant Waves is the latest to dip a toe into this water with its MPX plug-in, which was developed in collaboration with engineer/producer Eddie Kramer. The spinning tape can be stopped if you click on the reel. You may find this content helpful: To be able to view it. Furthermore, pre-emphasis and de-emphasis equalization was part of the alignment process. Note that both the unprocessed and processed sounds have the same peak level, but the Kramer audio example sounds much louder due to having a higher average level. Dec 12, 2012 MPX Kramer Master Tape v9r7 for Windows 7/Vista/XP - Brings the richness and warmth of real tape saturation to your DAW. Kramer Master Tape has an average user rating of 4.00 from 2 reviews. 0 This is different from the distortion obtained by smashing the input level harder. Waves Kramer Master Tape plug-in Discussion of music production, audio, equipment and any related topics, either with or without Ableton Live 15 posts Page 1 of 1 But even with 4-track recorders, the inner tracks were slightly different, so Waves modeled the sound for tracks 2 and 3. The Kramer tape is a lot simpler and less versatile. ObsoleteAcc99 17 August 2012 at 8:19am. 4). Oct 14, 2014 Waves Kramer Master Tape - Waves Plugin Wednesday! This is probably where you will need the creativity of a plugin like the Waves Kramer Master Tape. 0000004682 00000 n When people think of that tape sound, this is probably the kind of tone they have in mind. Waves Kramer Master Tape. Kramer Master Tape models a rare vintage 1/4" reel-to-reel machine and features all the controls you expect in a virtual tape machine including adjustable tape speed, bias, flux, wow & flutter and noise. Like the J37, there are wow, flutter and noise controls. Kramer Master Tape by Waves is a Virtual Effect Audio Plugin for macOS and Windows. Both plugins can change character radically with even the slightest parameter changes. Figure 1: The J37 settings used for the audio example of processing a master tape. At 15 IPS, theres a bump around 50 Hzgreat for EDM kicks. Comments & Discussion for Waves Kramer Master Tape. The bias options are normal or +3 dB of overbiasing. Dive into the sound and differences of the two emulations. If sophistication is more your style, particularly for mastering, the J37 provides more flavors and more options in a somewhat more polite package. If you select tracks 2 and 3, the differences between the tracks will create a slightly wider image. Feeding a constant, high-frequency AC signal to bias the tape into its most linear region mitigated this problem, but the correct bias setting was often subjective. On the top left of the plugin is the tape speed, which can be switched between 7.5 and 15 inches per second. Info: Kramer Master Tape Discussion: Active. However on the mix bus and group channels. Comments & Discussion for Waves Kramer Master Tape. Guitar, drums, percussion, keyspretty much anything works with it, and sometimes you can get away with a surprising amount of saturation when you want some dirt in your track but dont want an obvious distortion effect. It is represented by the small screw-head below the VU meter display and does not have a visible label. Depending on the recorder, the tape and the bias, distortion could become audible at input levels as low as -10 dB, or even lower. Low bias increased high-frequency response, at the cost of increased distortion. 11. 0000085643 00000 n 0000002665 00000 n Peppers Lonely Hearts Club Band), and the Kramer Master Tape, which models Ampexs vintage machines. 0000085010 00000 n Want to get more tips straight to your inbox? 0000081854 00000 n Download Kramer Master Tape for macOS from waves.com. Waves Kramer Master Tape, HLS Channel and PIE Compressor Plug-Ins. Downloads, Banks, Patches, Presets, etc. The spinning tape can be stopped if However, some people believe that the Master Tape is best on mixes, and the J37 on individual instruments, which brings up an important point. This song also uses the Abbey Road Chambers on drums and vocals, the CLA-2A compressor/limiter on vocals and the L3 Maximizer for mastering. Subscribe to our newsletter here. Interestingly, at 15 IPS, the sound starts distorting a bit earlier than at 7.5 IPS. However, it still provides what you need for that tape echo sound. If I could transfer my Kramer to you for FREE, I would do it because I will never use it again. Watch as Weezna demonstrates the versatility of the Kramer Master Tape plugin by Waves. When overbiased, the response reveals less distortion and duller highs (as tested with a sine wave sweep and white noise). Tape always worked in conjunction with particular machines, and the two influenced each other. There are controls for wow, flutter and noise, which purists will appreciate for authenticity. Tech Talk: Why Tape Emulation Is So Complicated. Discussion: Active. However, monitor is not a true bypass; it picks off the signal after the input tube stage but before any pre-emphasis/de-emphasis. Selecting both with the 888 formulation at 15 IPS puts me in vintage tape emulation nirvanaits big and open. Copyright 2019 by Craig Anderton. Kramer Master Tape models a specific stereo deck used by Eddie Kramer. Gold is the flat tape sound, and the default glow setting for the plugin. So, to those who are questioning purchasing the Kramer vs. the J37, there really is no contest. Waves Kramer Master Tape Another plugin by Waves, the Kramer Master Tape is an earlier tape emulator produced before they introduce J37. The high-frequency lift (outlined in orange) shows that presumably, the pre-emphasis EQ was increased to overcome the duller highs normally associated with tape (as when using the nom bias setting shown on the right). (With 24-track tape, track 1 or 24 was often used for SMPTE time code, with the track next to it left blank, or used to record a sound where you could roll off the high frequencies to minimize SMPTE bleed-through.) 0000004230 00000 n 0000080970 00000 n With either plugin, you need to be careful with input levels. sonicpowa 16 August 2012 at 12:58pm. Both the unprocessed and processed sections have the same peak level. Like it sits back in the mix, coating it and giving the song a more 'subconcious' tape saturation feel compared to the Kramer, said to be more 'look at me, I have a tape saturator!' It combined harmonic distortion, limiting, transient softening, and a low-frequency bump that helped lift the bass. Having been raised on tape, I can vouch for the plugins ability to reproduce the sound of tape, as well as recognize what makes each of them different. The specic tape machine modelled here is rare and customised, featuring an Ampex 350 quarter-inch machine with 351 electronics on 840 31 However, depending on your application, that doesnt necessarily mean the J37 is better than the Kramer Master Tape. To obtain the slightly duller effect of overbiasing (e.g., for source material with bright transients, like acoustic guitar with 80/20 bronze strings instead of phosphor-bronze strings), try +5 with 888 tape or +3 with the 811 tape. 0000004459 00000 n Both emulations have distinct personalities. 0000003877 00000 n Although arguably not as flexible as the J37, thats an advantage when you just want the tape sound, and dont want to get lost in is this setting better than that settingIm not sure I hear a difference. I worked a lot with Ampex machines back in the day, and this plugin provides what they delivered. 0000002244 00000 n They also allow for some very interesting FX tones when using the J37 for a more lo-fi effect. High bias settings reduced distortion but could produce duller-sounding recordings. Figure 3: Settings used to push rock bass into a more distorted sound, with less dynamics, so it jumps out more in a track. However, I greatly appreciate Waves departing from tradition to offer delay times up to two seconds, rather than limiting you to the two fixed delay times (for 7.5 IPS and 15 IPS speeds) inherent in physical tape machines. The 811 splits the difference; a good application is on individual tracks, where you want to add character to an instrument like piano, but in a subtler way that the 888 formulation provides. 0000001906 00000 n 7.5 IPS pushes the bump down an octave, which essentially takes it out of the range of consumer playback systems. The Waves Kramer Master Tape was modelled on a vintage Ampex valve (tube) 1/4 inch master machine that was in use in the glory days by many famous rock acts blessed to record with the legendary engineer Eddie Kramer (Jimi Hendrix, Jimi Hendrix, The Rolling Stones, Led Zepellin, Jimi Hendrix and some other bands) at Londons famous Olympic Studios. At 15 IPS the bias options are normal, +3 and +5. Regarding distortion, with all three tape formulations at 15 IPS, distortion is most apparent at the +3 setting. 0000004127 00000 n Want more on tape emulation plugins? These examples are adapted from the song All Over Again (Every Day), which is posted on YouTube. If you turn up the noise level control with no input signal, bias changes are obviousmore bias equals duller sound (note that at 7.5 IPS, the 888 and 811 offer only the normal bias). Comments & Discussion for Waves Kramer Master Tape. <<82374E9305F7C2478D47CC69505DDD08>]/Prev 510072/XRefStm 1710>> This makes the Master Tape useful as a tube sound plugin, even if youre not using the tape emulation aspects. AudioThing Outer Space The GUI looks a bit dated, yes, but dont let that turn you off from Phoenix. This is why even though I didnt like working with tape, I like working with tape emulation: it emulates the sound of tape running on a perfectly aligned tape recorder, outfitted with brand-new tape heads, using virtual tapewhose virtual production run never has quality control problems! 0000003927 00000 n The Kramer Tape plugin is simpler but designed with mastering in mind. However, 7.5 IPS can work well with lower-frequency sources, like kick and bass, if you dont need the bass bump. In this installment of Waves Plugin Wednesday, I go through the functions and controls of Waves Kramer Master Tape. Play a steady tone through the Kramer Master Tape and, as expected, the wow is random while the flutter is periodic. You can control noise, wow/flutter and saturation amount, and it features an intuitive interface. With the 888 tape, the nom and +5 settings act as youd expect, but the +3 setting has some extra high-frequency pre-emphasis. Now, I've done my research and generally, people prefer the J37, saying it being more transparent, but that in a good way. 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Learn More: http://www.waves.com/plugins/kramer-master-tape?utm_source=ytd&utm_medium=referral&utm_campaign=cptbWy3eHSg You can overload the virtual tape for effect but start with more conservative settings until you get a feel for how the plugins react to level. With adjustable tape speed, bias, flux, wow & flutter, and noise parameters, the Kramer Master Tape provides comprehensive control over the contours of your sound. However, no law said you couldnt deviate from equal and opposite. For example, if you increased bias for lower distortion, you could choose to increase the pre-emphasis EQ to compensate for the duller sound. Alternates every two measures, starting with no processing and ending with processing (8 measures total). 0000080486 00000 n sonicpowa 16 August 2012 at 12:58pm. 0000003295 00000 n There are modes for an individual slap, feedback, or ping-pong delay in stereo; if you know how delays work, there are no surprises here. Turning up the input control also pushes signals into the saturation range, but doesnt affect the distortion sounds character as drastically as increasing flux. 0000079951 00000 n Ultimately though, any of these settings were always a moving target. Lets not even discuss the cost of alignment tapes, re-lapping heads, or doing window splices in multitrack tape (and if you dont know what a window splice is, be thankful you missed that part of audio history). 0000003977 00000 n I find the range between 50 and 60 optimal for representing a reasonably well-maintained machine of that era. In either case, increasing the input leads to a smooth, linear increase in saturation. 1). Higher settings increase level, cut back on highs, and change the distortion character. Kramer Master is modeled on a vintage reel-to-reel machine and has adjustable controls for bias, wow, flutter and tape speed. Developed in association with Eddie Kramer, the Kramer Master Tape plugin is modeled on a rare machine consisting of an Ampex 350 transport Kramer Master Tape by Waves - Related Products Alternates every two measures, starting with no processing on bass and ending with processing (16 measures total). I know just still think its kinda annoying. Kramer Master Tape White Paper When Waves started a hardware modeling project with Eddie Kramer, it was always their intention to create a model of the original recording chain from Olympic Studios in London that Eddie used on his great recordings of Led Zeppelin, The Rolling Stones and Jimi Hendrix. The EMI 815 formulation benefited from refinements that occurred over the years and delivers a rounder bass with natural highs. The spinning tape can be stopped if you click on the reel. Think of tape as a mechanical limiter that knew when, and how, to distort as it limited. 0000084333 00000 n With emulations, the bias is adjusting what the track would sound like had it been recorded at a particular bias setting.) The EMI 811 formulation was next; it cut back on the distortion a bit, which opens up more clarity for the high frequencies. Rate & Review Kramer Master Tape. 3 above). The way the J37 handles biasing indicates the level of modeling detail. Kramer tape models the vintage reel-to-reel tapes machines that were used to It really can lift the bass out of a busy mix, as shown by the audio example below. Part of this is because of the different tape formulationsif you cant find the sound you want, youre probably not trying hard enough. jam92189 Figure 2: The image on the left is the 815 formulation with +5 dB of overbias. 0000083493 00000 n 870 0 obj <>stream hR]HSa~9hKnRRB%#3A3/DN\uw!J1$~*" With highly electronic music, which already pushes out a lot of highs and sometimes exaggerates imaging, I prefer the 815 formulation for its smooth, more controlled sound. B!u(TiojUK(6yJWoB}AYj?gwtH>IC. Theres also a cool sounding slap & feedback delay unit which suits lead vocal mixing very well. Full disclosure: I didnt like working with tape. For most users, the default headroom setting of 18 dB should be the best (Note that bias affected only the recording process, not playback. Regarding the track 2|3 switches, tapes outer tracks were less consistent than the inner ones, due to the tape manufacturing process. 0000082638 00000 n 0000005254 00000 n Developed in association with Eddie Kramer, the Kramer Master Tape plugin is modeled on a rare vintage 1/4" reel-to-reel machine. Although the 888 is considered the dirtiest of the three tape formulations, I like it on rock stereo masters and music with acoustic elements, like acoustic guitar and hand percussion. Kramer Master Tape emula proprio questo, una macchina analogica con tutti i controlli del caso, dalla velocit di scorrimento della bobina al rumore interferente. Copyright 2021 Waves Audio Ltd. All rights reserved. It adds a certain brightness that makes the music a bit larger than life. IMO the J37 is the ONLY tape plugin you should purchase from Waves today. One of the Master Tape plugins unique features is the monitor/repro switch. But where it excels for me is in adding the tape sound to two-track mixes. In this interview, John talks about his life in music, and his role as a co-developer of the Kramer Master Tape plugin. This may be due to modeling other factors in addition to bias by itself. jam92189 17 August 2012 at 4:40pm. When I first got the Kramer Master Tape I tried putting it on every channel, but that made everything sound metallic to my ears. Waves offers two tape emulation plugins: the J37, modeled after the modified Studer 4-track deck used in Abbey Road Studios (most famously for the Beatles Sgt. For lack of a better term, these are precision plugins where a few degrees of control rotation can make the difference between something that sounds right and something that doesnt. In all this video shows six different ways of using this plugin. %%EOF 0000081397 00000 n This is mostly a factor when processing two-track masters, but you can hear a slight difference with a source like acoustic guitar micd in stereo. VU CALIBRATION controls the VU meter headroom calibration. Tape recording is based on magnetism, and once something is magnetized, it tends to stay that way until demagnetized (if that wasnt true, then hard disks wouldnt remember anything). Developed alongside veteran recording engineer Eddie Kramer, this plugin is modelled on a rare tape machine that was used in Londons Olympic Sound Studios which has been graced by the likes of Jimi Hendrix, The Rolling Stones and a small cult band called The Beatles. Alternatively, check out Waves J37, a tape saturator with an altogether different character. However, when feeding in an external sine wave for testing, the increase in distortion is greater at +3 dB than +5 dB. I dont find much use for tape emulation with vocals, but that could be a personal taste thing, try it out for yourself before deciding. Note how the tape processing lifts the bass out of a busy mix. Like the original, the effect is subtle. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an RTAS Plugin and an AAX Plugin. There are also high-pass and low-pass filters, which are useful for obtaining vintage tape echo sounds. Peppers Lonely Hearts Club Band), and the Kramer Master Tape, which models Ampexs vintage machines. In fase di mix pu essere utilizzato anche in modo aggressivo, in mastering sarebbe bene non esagerare. Meanwhile, the flux control emulates how the tape heads electromagnet imprints a pattern on tape at the tape heads gap. startxref The Master Tape nails it for individual tracks and has become my go-to saturation for rock bass (Fig. Remember that VU meters show average levels and that the virtual tape is soft-clipping the transients that normally register on peak meters. Abbey Road J37 and Kramer Master Tape give the authentic sound of two classic tape recorderswithout the drama of maintenance, variable tape quality, or high tape costs. 2). With the 815, its clear the engineers didnt want to compromise on the highs for the sake of less distortionboth the +3 and +5 settings have extra pre-emphasis, because theres a bit of a high-frequency lift (Fig. But the sound of tape was unique. Waves Kramer Master Tape Another plugin by Waves, the Kramer Master Tape is an earlier tape emulator produced before they introduce J37. Upload & Share. If you decide to buy a Waves. Both plugins can choose between 7.5 and 15 IPS (inches per second) tape speeds.

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